SOCAN Announces ENCORE! Program

SOCAN has announced the launch of the Encore! program, that compensates music creators for online streaming performances.

SOCAN’s Board of Directors and management team recently approved the allocation of a portion of licensing revenue collected from Facebook for the Encore! program.

Encore! will ease the financial burden on SOCAN writer members and their publishers created by the pandemic. A total of approximately $200,000 is available each quarter for the program for the duration of the COVID-19 lockdown in Canada.

To receive an Encore! payment for a live music event on Facebook or Instagram:

  • At least ten songs/compositions must be performed live, or a live performance of at least 30 minutes must take place, on Facebook or Instagram ,from March 15, 2020, to March 7, 2021 (inclusive).
  • At least 100 people must have accessed the online event.
  • A set list of all music performed has to be sent via SOCAN’s Notification of Live Music Performance (NLMP) form at, with the “venue” identified as Facebook or Instagram.
  • Claims must be made within 90 days of the Facebook/Instagram concert occurring.

Each online concert will be eligible for a total payment of $150, with shares of royalties going to all rights holders of the music performed.

Check the FAQs here.

Live performances on social media properties normally don’t generate more than a few dollars in royalties for songwriters, composers, and music publishers. Typically, royalties from music used on these platforms come from streamed and downloaded recorded music.

In addition to live music events on Facebook and Instagram, SOCAN is in the process of adding more online platforms to the Encore! program. The organization is encouraging its members to submit set lists for all online concerts. Just be sure to indicate the social media platform as the venue.

SOCAN will soon launch its regular “Get Set, Get Paid” awareness initiative, encouraging members to submit Notification of Live Music Performance (NLMP) set lists for past in-person concerts. Only by submitting set lists can license money, already paid by concert venues, be matched to the correct rights holders of the music performed, enabling those who earned royalties to receive them.

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